|mange ta viande!||April 22nd, 2013|
BOINGBOING recently posted my interview with Blutch – an inspiring & influential cartoonist to myself and many others. The first of his books to be published in English – SO LONG, SILVER SCREEN – is debuting this month from Picturebox! Below is the the only photo I could find of Blutch and myself – at Angoulême festival in January 2005. And there’s a smattering of Blutch’s prolific bibliography.
While working on Blankets, I poured so devotedly over Blutch’s pages that it emerged as unconscious swipes in my own work. Here’s just one sample where I mimicked him without even realizing – a common affliction in young, impressionable cartoonists.
And here’s a couple of portraits of Blutch from CARNET DE VOYAGE. That 2004 visit to Toulouse, France is referenced often in the Boingboing interview. Treat yourself to Blutch’s new book finally in the US!
|laser boob army & scrambled seaweed||April 5th, 2013|
Springtime instigates spring cleaning of the art studio. Here’s a couple of goodies unearthed in the process. Above is a batch of unused illustrations created for a stage presentation at the 2005 ICON Illustration Conference. The general talking point of each illo is: a) preconceptions of comics, b) the obliviousness and/or coping mechanisms of arteests, c) SCOTT McCLOUD as a cult leader of sorts for my generation of cartoonists, d) the reality that most cartoonists pay the bills via illustration gigs, e) the debate over the label “graphic novel”.
Below is another except from the 70 foot scroll I created in fourth grade (1985 or 1986) when I was approximately the same age as Violet in the upcoming SPACE DUMPLINS. Wish I could scan this entire epic for you… in the meantime, there’s a little more on it here.
|zach & mo & krejg.||March 7th, 2013|
During my March 5 – May 14, 2004 travel diary CARNET DE VOYAGE, this little bean-bodied critter invaded my sketchbooks as a conscience to counteract my whining & sentimentality. Nine years later, it’s satisfying & familiar to revisit the character in the pages of SPACE DUMPLINS, though I seriously envy how off-the-cuff I used to churn out the pages. The critter has a name now – Zacchaeus – after a favorite wee little tax-collector from the Bible.
There’s a new presence in my work studio that shares the same energy as Zacchaeus - frisky & distracting & never tolerating the whining - a kitty, name of Maurice (no Biblical reference). Here she is surveying new and old appearances of Zacchaeus. To the right, she protects the drafting table from her throne of crumpled jackets.
In other news: A) I’m participating in an exhibition at the Cartoon Art Museum in San Francisco with an amazing cast of illustrators. I SEE WHAT YOU SAY opens March 23rd.
And B) the latest foreign edition of HABIBI to debut is from my Serbian publisher Komiko. I wanted to mention it, if for no other reason because I like seeing my name spelled “Krejg”.
|collaboration & color||February 4th, 2013|
Happy New Year, Everyone! My apologies for neglecting to post in January. Mostly I was bummed out to not be back on the drawing wagon as predicted. All of December and January were spent in recovery, including occupational therapy. But I’m reminded that there were similar months of recuperation after BLANKETS tour in 2004 (see CARNET DE VOYAGE).
I was waiting for happy news before posting, and it arrived with February as I’m finally drawing again & starting fresh with a new opening sequence for the book (scrapping most of the pages inked in November).
The happier news is that the incredible Dave Stewart is on board to color SPACE DUMPLINS, infusing the drawings with vibrant atmosphere & volume. Dave and I’ve known each other since 1997 when I worked as a graphic designer at Dark Horse Comics and he was an in-house colorist. He’s best known now for his work on Mike Mignola’s HELLBOY and BRPD (and for winning seven Eisner awards!).
After so many years of working solo, I’m excited to share this element of collaboration with an extremely talented friend. See below for a peek at the magic Stewart brings to a single panel of the new book.