|paddling vs pushing pixels||August 23rd, 2013|
Thank you, Jordi, for your reminders and thanks to all you loyal blog followers for your patience in this two month lapse between posts.
Portland has the best summers in the world, so there’s been the typical sunny day distractions of: A) river swimming (drawing buddy Scott), B) white water rafting (flip on the Deschutes), C) a little surfing (Justin loads the boards on my car – fifth one on the back seat), and D) lots of stand-up paddling (Brazilian twins Fabio & Gabriel on the Willamette).
In the work world, dealing with recurring hand problems, I’ve experimented with some alternate drawing techniques, including investing in a 13″ Wacom Cintiq. 1) Adrian Tomine’s latest OPTIC NERVE has a genius lampoon of “our generation’s” resistance to the new brand of art tools coupled with our frustration towards the declining quality of old world art supplies (bristol, brushes, ink). 2) For a couple of days my drawing desk became a clutter of video monitors (yuck).
3&4) I managed to digitally pencil a page, but then (5) printed out blue lines and reworked with an actual tangible pencil.
Here’s (6) Dave Stewart’s colors (digital) on my India inks (analog).
Purists will be relieved to know I’m sticking with the old-fashioned pencils and sable brushes for now. Digital dabbling, however, did push me to adopt a new working method of pencilling on cheap sketch paper, then scanning and printing blue lines on bristol board to ink by hand. Saves me the hassle of light box tracing and erasing pencil lines. More summer-time announcements coming soon…
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