|mange ta viande!||April 22nd, 2013|
BOINGBOING recently posted my interview with Blutch – an inspiring & influential cartoonist to myself and many others. The first of his books to be published in English – SO LONG, SILVER SCREEN – is debuting this month from Picturebox! Below is the the only photo I could find of Blutch and myself – at Angoulême festival in January 2005. And there’s a smattering of Blutch’s prolific bibliography.
While working on Blankets, I poured so devotedly over Blutch’s pages that it emerged as unconscious swipes in my own work. Here’s just one sample where I mimicked him without even realizing – a common affliction in young, impressionable cartoonists.
And here’s a couple of portraits of Blutch from CARNET DE VOYAGE. That 2004 visit to Toulouse, France is referenced often in the Boingboing interview. Treat yourself to Blutch’s new book finally in the US!
|laser boob army & scrambled seaweed||April 5th, 2013|
Springtime instigates spring cleaning of the art studio. Here’s a couple of goodies unearthed in the process. Above is a batch of unused illustrations created for a stage presentation at the 2005 ICON Illustration Conference. The general talking point of each illo is: a) preconceptions of comics, b) the obliviousness and/or coping mechanisms of arteests, c) SCOTT McCLOUD as a cult leader of sorts for my generation of cartoonists, d) the reality that most cartoonists pay the bills via illustration gigs, e) the debate over the label “graphic novel”.
Below is another except from the 70 foot scroll I created in fourth grade (1985 or 1986) when I was approximately the same age as Violet in the upcoming SPACE DUMPLINS. Wish I could scan this entire epic for you… in the meantime, there’s a little more on it here.
|zach & mo & krejg.||March 7th, 2013|
During my March 5 – May 14, 2004 travel diary CARNET DE VOYAGE, this little bean-bodied critter invaded my sketchbooks as a conscience to counteract my whining & sentimentality. Nine years later, it’s satisfying & familiar to revisit the character in the pages of SPACE DUMPLINS, though I seriously envy how off-the-cuff I used to churn out the pages. The critter has a name now – Zacchaeus – after a favorite wee little tax-collector from the Bible.
There’s a new presence in my work studio that shares the same energy as Zacchaeus - frisky & distracting & never tolerating the whining - a kitty, name of Maurice (no Biblical reference). Here she is surveying new and old appearances of Zacchaeus. To the right, she protects the drafting table from her throne of crumpled jackets.
In other news: A) I’m participating in an exhibition at the Cartoon Art Museum in San Francisco with an amazing cast of illustrators. I SEE WHAT YOU SAY opens March 23rd.
And B) the latest foreign edition of HABIBI to debut is from my Serbian publisher Komiko. I wanted to mention it, if for no other reason because I like seeing my name spelled “Krejg”.
|collaboration & color||February 4th, 2013|
Happy New Year, Everyone! My apologies for neglecting to post in January. Mostly I was bummed out to not be back on the drawing wagon as predicted. All of December and January were spent in recovery, including occupational therapy. But I’m reminded that there were similar months of recuperation after BLANKETS tour in 2004 (see CARNET DE VOYAGE).
I was waiting for happy news before posting, and it arrived with February as I’m finally drawing again & starting fresh with a new opening sequence for the book (scrapping most of the pages inked in November).
The happier news is that the incredible Dave Stewart is on board to color SPACE DUMPLINS, infusing the drawings with vibrant atmosphere & volume. Dave and I’ve known each other since 1997 when I worked as a graphic designer at Dark Horse Comics and he was an in-house colorist. He’s best known now for his work on Mike Mignola’s HELLBOY and BRPD (and for winning seven Eisner awards!).
After so many years of working solo, I’m excited to share this element of collaboration with an extremely talented friend. See below for a peek at the magic Stewart brings to a single panel of the new book.
|space dumplins||December 20th, 2012|
My upcoming all-ages book has been officially announced. It’s titled SPACE DUMPLINS and will be published by Scholastic. I want it to work like a Pixar film — fun & appealing to the youngsters, while simultaneously fulfilling to you, my faithful readers.
The bad news is that I haven’t drawn any new pages since the last blog-posting, because of a hand injury. Prohibited from drawing, I’ve been obsessively combing over the thumbnail draft, thus further applying the Pixar model of endless rewrites. My New Year’s plan is to take off the splint and leap back on the drawing wagon. And the book will keep me busy through all of 2013. Aiming for a 2014 release.
Finally, if you’re looking for last-last-minute holiday gifts, there’s still a limited amount of oversized HABIBI screenprints available at CRACK PRESS. Season’s greetings, Blog-friends! Thanks for checking in throughout the year (despite my infrequent posts). And thanks for making it to any of the HABIBI tour events!
|flood fund update||November 12th, 2012|
Thanks for your patience with the confusion and delay around the art auction to raise funds for flood relief in the Philippines. The fund raiser is finally active on eBay and bids close in a week. Here’s the link:
|back to the drawing table||November 7th, 2012|
Thanks for the reminder, Jordi. It’s been five weeks since my return, and I’ve finally started drawing the NEXT BOOK. Twelve pages are finished, but I’m still reclaiming the discipline & drawing muscles required to make final pages. It’s still a bit soon to reveal the details of the project, but I will say my focus is on the all-ages book. While brainstorming/writing (earlier in the year), I gave equal attention to three ideas, but the time-consuming demands of drawing have nudged the other two books to the backburner. Here’s some preliminary sketches of the new book’s hero – VIOLET.
In other news, here’s a link to the BLANKETS MARRIAGE PROPOSAL of Becca & Mike mentioned at the end of last month’s post.
|salam à la comics||October 1st, 2012|
My trip to Jordan turned out to be was the most fulfilling possible conclusion to HABIBI book tour. It was hosted by the US Embassy in Amman; worth noting as a reminder that our government cares about the arts (and graphic novels!) and sees them as a vehicle for cultural exchange. This turned out, however, to be a difficult & chaotic time for US Embassies in the Middle East, beginning with the attacks in Libya. It was an unsettling surprise, two days after my arrival, to learn that HABIBI was on the banned books list. And it was surreal to be ferried around in an armored vehicle, past security checkpoints, to roomfuls of adorable children brimming with creative energy, while elsewhere in the region, violence was breaking out over an internet video.
During a two week stay, I conducted graphic novel workshops to three entirely different groups, each with their own inspiring dynamics. The first were deaf children (ages 5 – 20) at The Holy Land Institute for the Deaf in Salt, Jordan. These kids were a bit baffled by the concept of comics (perhaps even drawing) on the first day of classes, but by the third day, they were churning out comics with wild abandon. The institute is a boarding school, and the theme of missing one’s family was a common one in many of their stories, but the concurrent theme was that of gratitude towards finding an extended family they could actually communicate with.
Through comics, these kids proved quite eloquent with word balloons, sound effects and visual music. My favorite exercise was a pairing up of students – boy/girl, young/old – in which one student signed a story and the other translated it into comics form on a board in front of the class.
The second batch of workshops was with inner city youth – teens and university students – at the Princess Basma Youth Resource Center Computer Clubhouse. They channeled passions for music, graffiti, writing, architecture, and even computers into comics pages, collaborating on an anthology conceived and drawn in only three days — a pretty impressive display of constructive teamwork. If only I’d been so focused at that age! The girls (above left) are refugees from Syria and amazingly prolific cartoonists. They talked of creating a graphic novel to document their experience fleeing their war-torn homeland. The world needs this book to exist!
In the final workshops (below) held at Mlabbas – a hipster t-shirt shop on Rainbow Street in Amman – we gathered professional artists with specific interest in graphic novels. It was refreshing to be around like-minded, similar-aged peers without a language barrier, and also to witness the outset of a burgeoning comics scene. Every single meal we shared was an AMAZING FEAST! The media paints a bleak outlook for the region, but there is a visceral optimism around the arts and self-expression and the medium of comics.
Finally, despite the banning, we were able to organize a bookstore signing where I met HABIBI fans from Jordan, Palestine, Syria, and Iraq. These two fans (below right) had only recently left their homes in Iraq. Readers found the book’s ban quite arbitrary, and felt it corresponded with a time of public frustration towards increasing government censorship in Jordan. Many Muslim readers thanked me specifically for the reverent depiction of their faith in HABIBI.
At the Holy Land Institute in Salt, there were children who were not only deaf, but blind. They and their teachers labored so intently, against all odds, towards dialogue and understanding. Humans need communication. Art is a privilege, a great responsibility, and a necessity.
Thank you to the US Embassy and to their program that has represented music, theater, and dance for specifically requesting a graphic novelist this time around. And thank you to all my amazing new friends in Jordan for their generosity and inspiration. Keep making comics!
In other news, thank you, Blog-readers for the birthday wishes. And thank you to those I met at the National Book Festival in Washington DC, the official end-cap to touring. Special congratulations to Mike who proposed and Becky who accepted while waiting in line for the signing. The engagement ring was embedded in a carved out copy of BLANKETS!
|air jordan||September 4th, 2012|
It’s been a full year of touring with HABIBI, and this week takes me to what feels like a pinnacle – the Hashemite Kingdom of Jordan. While there, I’ll be conducting comics workshops with deaf children at the Holy Land Institute in Salt city, youth at the Princess Basma Youth Resource Center in Amman, and an elite group of Jordanian graphic novelists. This promises to be a life-changing experience; and I’ll be sure to bring home drawings/stories for the blog.
Enticing invites keep pouring in from all over the world; but I’m feeling growing pressure and obligation to get home to the drawing board and start producing new comics pages! My plan is to travel nowhere for October – my first month of not flying since this time last year.
|flood fund-raiser||August 10th, 2012|
Hello, Blog-Readers, and thanks as always for your patience. As you certainly can relate, the summer months are chaos.
First off, it was a treat to see many of you at San Diego Comic-con, and thanks to the comic industry for awarding HABIBI an Eisner for Best Writer/Artist. Here’s a con photo with a great group of fans from the Philippines.
The Philippines have recently been hit hard by monsoon season flooding, and members of the comics community have started a fundraiser for aid, relief, and medical assistance for the hundreds of thousands of displaced people. As part of this, the original cover artwork for the new edition of BLANKETS has been donated. Details HERE.
As all of you know, I never sell original artwork, so this a rare exception that any piece is available. 14′x17″ India ink on Bristol board. If I have a chance, I’ll personalize a note on the back to the donor. Please, look into bidding to help raise funds for this crucial cause. Thanks!