Last week, I finished pencilling chapter three of SPACE DUMPLINS. I usually pencil & ink a single page on the same day (two with BLANKETS), but this time for the sake of editing, I pencilled an entire chapter at once.
Seeing the whole chapter made it more malleable & consistent, more tangible to “stage”, and saved me from repeating compositions. But my work days felt more monotonous – tending to a single task for weeks on end – and I missed the creative “down time” that inking affords me. Pencilling is all sweat & brainwork, but inking is more intuitive – freeing my mind to listen to music, podcasts, talk on the phone…
Many of you asked why I’ve started using colored ballpoint on my pencils, but it’s purely for fun – now that I scan the pencils and print out blue lines, the pencils can be as messy and colorful as I like. As an experiment, I dabbled with inking some panels digitally on a 13HD Cintiq.
Below is an excerpt from a page I inked twice – A) The old-fashioned way with a brush and India ink. B) The newfangled digital tablet way. I was surprised that the difference is almost imperceptible. An advantage of digital is that I was able to draw word balloons and color holds on separate layers, and of course it’s all easier to correct. But for now I still prefer the tactile sensations of light bouncing off paper, crude ink, and finicky sable hairs.
The pictured character is named TINDER, after my cartoonist buddy Jeremy Tinder
– whose style I aped for the character design.
Happy Halloween, Blog-friends, and thanks for your patience during a quiet October.
A few of you asked about the process stages between pencils and colors, so here’s a panel breakdown from chapter two.
1) Pencilled the characters (Elliot & Violet) and roughed in the background with non-photo blue pencil.
2) This time, I chose to draw the background separately with pencil and colored ballpoint.
(As you can see, the detail in SPACE DUMPLINS is becoming as obsessive as HABIBI).
3) Then I merged the two in Photoshop and printed out blue lines on to Bristol Board paper.
4) Inked with India ink and watercolor brush – the lettering is Micron pigment pen.
(You can still see the bluelines on the original art, but they’re easily removed once scanned.)
5) The COLORS!
After getting home from three weeks in LA, I have a couple events unfolding in the Portland area.
1) The local launch for First Second’s FAIRY TALE COMICS with cartoonist (and Laika storyboarder) Graham Annable at GREEN BEAN BOOKS. 1 PM on Saturday, September 28th (1600 NE Alberta Street, Portland). More on that anthology – a sequel of sorts to NURSERY RHYME COMICS – here.
2) A two-way stage conversation between Gene Yang and I to scour the crossover themes of our coming-of-age memoirs (AMERICAN BORN CHINESE) and historical, religious epics (BOXERS & SAINTS) at the WORDSTOCK literary festival. 3 pm, October 5th, Oregon Convention Center.
Hope to see you locals there!
Friends of my brother, GROW ANTHOLOGY, make sweet skateboards out of recycled paper, and they’ve launched a KICKSTARTER campaign to produce their first run of artist-edition boards – THE CHUNKY SHARK CYCLE! It’s limited to only 250 boards… Chunky and Dandel graphic laser-etched into the top of the deck… made sustainably from recycled paper from a paper mill in my home town! They’re a flexy-fluid longboard ride or an object of art for display. Please, do check in to support the Chunky Shark Cycle Kickstarter and get stickers, t-shirts, decks, complete boards, or purchase my original art. Exciting to merge the two passions of my youth – comics and skateboarding!
(PS: Start following progress on the new book at: <http://instagram.com/spacedumplins> )
Thank you, Jordi, for your reminders and thanks to all you loyal blog followers for your patience in this two month lapse between posts.
Portland has the best summers in the world, so there’s been the typical sunny day distractions of: A) river swimming (drawing buddy Scott), B) white water rafting (flip on the Deschutes), C) a little surfing (Justin loads the boards on my car – fifth one on the back seat), and D) lots of stand-up paddling (Brazilian twins Fabio & Gabriel on the Willamette).
In the work world, dealing with recurring hand problems, I’ve experimented with some alternate drawing techniques, including investing in a 13″ Wacom Cintiq. 1) Adrian Tomine’s
latest OPTIC NERVE has a genius lampoon of “our generation’s” resistance to the new brand of art tools coupled with our frustration towards the declining quality of old world art supplies (bristol, brushes, ink). 2)
For a couple of days my drawing desk became a clutter of video monitors (yuck).
3&4) I managed to digitally pencil a page, but then (5) printed out blue lines and reworked with an actual tangible pencil.
Here’s (6) Dave Stewart’s colors (digital) on my India inks (analog).
Purists will be relieved to know I’m sticking with the old-fashioned pencils and sable brushes for now. Digital dabbling, however, did push me to adopt a new working method of pencilling on cheap sketch paper, then scanning and printing blue lines on bristol board to ink by hand. Saves me the hassle of light box tracing and erasing pencil lines. More summer-time announcements coming soon…
Finally finished inking the first chapter of SPACE DUMPLINS (57 pages). I’m way behind on my personal deadlines (primarily due to the health of my drawing hand), but colorist Dave Stewart has been knocking out gorgeous colors at a breakneck pace. Here’s a peek.
Comics industry luminary Kim Thompson will be dearly missed. Though we aren’t related, I referred to him affectionately as “Uncle Thompson.” He nurtured the comics scene into the thriving community it is today, translated and published crucial European artists, and encouraged young talent. He was one of the very first professionals to discover and acknowledge my work. Here’s a postcard he sent me on March 5, 1997.
Brazilian buddies Fabio Moon, Gabriel Ba, and Murilo Martins are visiting Portland for ICAF (International Comics Art Forum).
If this post isn’t too late, check out the twins’ SPOTLIGHT TALK at 70 NW Couch Street (Portland) TONIGHT at 7:30.
What do cartoonists do when we drink coffee and nerd out? We discuss craft & reminisce on the masters of the medium.
This morning, we picked four cartooning heroes who passed away recently, and copied panels as a tribute. Below left,
Fabio pencilled a CARMINE INFANTINO panel that Murilo inked. To the right, Murilo pencilled some MOEBIUS panels that Fabio inked.
Then I pencilled a TOPPI page that Gabriel inked. Right, Gabriel pencilled a SENDAK page that I inked.
Here’s my inks on Gabriel’s pencils of a Maurice Sendak image from WE ARE ALL IN THE DUMPS WITH JACK AND GUY.
It’s been a year, and I still think of Maurice daily.
recently posted my interview with Blutch
– an inspiring & influential cartoonist to myself and many others. The first of his books to be published in English – SO LONG, SILVER SCREEN
– is debuting this month from Picturebox
! Below is the the only photo I could find of Blutch and myself – at Angoulême
festival in January 2005. And there’s a smattering of Blutch’s prolific bibliography.
While working on Blankets, I poured so devotedly over Blutch’s pages that it emerged as unconscious swipes in my own work. Here’s just one sample where I mimicked him without even realizing – a common affliction in young, impressionable cartoonists.
And here’s a couple of portraits of Blutch from CARNET DE VOYAGE
. That 2004 visit to Toulouse, France is referenced often in the Boingboing interview. Treat yourself to Blutch’s new book finally in the US!